On
Thursday, February 26th, BAM Cinemas hosted a screening of shorts by the San
Francisco-based filmmaker, John Korty. This screening was part of a series
entitled, Fog City Maverick: The Films of John Korty, and included
an introduction and pre-show Q&A with Korty himself. The series was co-presented by the Artists Public Domain program, Cinema
Conservancy. Best described in their own words, the Cinema Conservancy program,
“releases and preserves independent films to ensure their legacy and public
availability”. Launched in 2012 by Tyler
Brodie and Hunter Gray, the organization aims to support American independent
filmmakers by providing production resources such as hard to get documents and
grant applications, financing for projects, and also facilitating the
restoration and preservation process for newer independent films that have
already been neglected. Among the films they have restored are, Stations of the Elevated (Dir. Manfred Kirchheimer, 1981), The Color Wheel (Dir.
Alex Ross Perry, 2012), and Northern Lights (John Hanson, Rob Nilsson, 1978).
Cinema Conservancy has hosted a number of events as part of an ongoing screening series, which aims to “highlight the significance and diversity of American Independent Cinema, presenting a varied selection of narrative, documentary, experimental and uncategorizable film work” (artistspublicdomain.org/cinema-conservancy). The Korty program contained an exemplary selection of these genres, from wacky animation to sobering anti-war documentary, and served to present John Korty as a pioneer among the American Independents who has consistently produced honest, engaging, and beautiful films throughout his career.
*Complete program notes are available on the BAM Cinematek website:
Children's Television Workshop Spot: Sesame Street, "Cr" (c. 1970's)
The Language of Faces (1961)
(image credit: The Language of Faces: http://filmcomment.com/entry/rep-diary-films-of-john-korty)
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